【作品基本信息】
| 作者 | 苏汉臣 |
| 品名 | 重午戏婴图轴 |
| 朝代 | 北宋 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2062×2917 |
| 尺寸（CM） | 17.45×24.69 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
宋苏汉臣重午戏婴图轴 Children Playing on the Dragon Boat Festival |
| 分类 | 绘画 |
| 作者 | 苏汉臣 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 165.1×116.2 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 其他主题 | 山水 | 夏景 | |
| 其他主题 | 节令与二十四节气 | 端午 | |
| 主要主题 | 人物 | 孩童 | |
| 其他主题 | 人物 | 侍从（侍女、童仆） | |
| 其他主题 | 树木 | ||
| 其他主题 | 树木 | 杨柳 | |
| 次要主题 | 花草 | 莲荷 | |
| 其他主题 | 花草 | 蜀葵 | |
| 其他主题 | 果蔬 | 石榴 | |
| 其他主题 | 草虫 | 蜻蜓 | |
| 次要主题 | 建筑 | 水榭 | |
| 其他主题 | 建筑 | 庭院 | |
| 其他主题 | 建筑 | 池水 | |
| 其他主题 | 器用 | 家具（屏风） | |
| 其他主题 | 器用 | 饮食器 | |
| 其他主题 | 器用 | 童玩 | |
| 其他主题 | 器用 | 香炉．火盆 | |
| 其他主题 | 器用 | 宗教器用 |
技法
| 【技法】 | 【技法细目】 |
| 工笔 | |
| 界画 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈续编（御书房），第四册，页1928 |
| 收藏着录 | 故宫书画录（卷五），第三册，页79 |
| 收藏着录 | 故宫书画图录，第二册，页65-66 |
| 内容简介（中文） | 端午日，树阴敞榭，曲桥池沼中荷花绽放。群婴欢戏。扮戏、舞旗、摘荷、击钹、捉蜻蜓等等，其乐融融。人物描绘生动，地面上罗列各色玩具刻划入微。主要内容俱以金线勾描，显富丽装饰性。苏汉臣(约公元十二世纪)，河南开封人。曾任宣和画院待诏，北宋亡于金后，南宋绍兴年间又进画院复职。师刘宗古，工画道释、人物臻妙，尤善婴孩。 |
| 内容简介（英文） | Su Han-ch’en was a native of K’ai-feng, Honan. He was employed as a Painter-in-Attendance at the Painting Academy during the Hsuan-ho reign of the Northern Sung. After the Northern Sung fell to Chin, he fled south and was reemployed in his old position at the Southern Sung court during the Shao-hsing reign (1131-1162). Su Han-ch’en studied with Liu Tsung-ku. He excelled as a figure painter, especially of religious subjects and children. Lotus flowers blossom in a pond by winding bridges and a pavilion in the shade of trees on the day of the Dragon Boat Festival. A group of children are at play, performing theatrical skits, dancing with pennants, picking lotus flowers, beating cymbals and chasing dragonflies. Their joy overflows. The figures are described with spirit and vitality, and the various toys arrayed on the ground are depicted with an eye for extraordinary detail. The important subjects are all given gold outlines, which gives the painting a luxurious, decorative quality. |
| 内容简介（中文） | 春日庭院，胡床屏风，三位婴儿据床观赏瓶中游鱼，两位于草地上玩弄陀螺，旁有一婴孩着红衣，脸戴面具，高扬朱笔，另一婴孩，背负幼儿，循阶而下，前来相会。本幅色彩颇为古雅，线条细致中亦不失灵活特色。苏汉臣(约公元十二世纪)，河南开封人，曾任宣和画院待诏，北宋亡于金后，南宋绍兴年间又进画院复职。师刘宗古，工画道释、人物臻妙，尤擅婴孩。 |
| 内容简介（英文） | Su Han-ch’en was a native of K’ai-feng, Honan. He was employed as a Painter-in-Attendance at the Painting Academy during the Hsuan-ho reign of the Northern Sung. After the Northern Sung fell to the Chin, he fled south and was reemployed in his old position at the Southern Sung court during the Shao-hsing reign (1131-1162). Su Han-ch’en studied with Liu Tsung-ku. He excelled as a figure painter, especially of religious subjects and children. A lounge (ho bed) and screen are seen in the garden on a spring day. Three children stand upon the lounge to catch the fish swimming in glass vases. Two others are playing with tops. Another, wearing red clothes and a mask of Chung K’uei, the Demon Queller, raises a red writing brush. Yet another child descends to meet the group, carrying a baby on his back. The colors are antique and the brush lines are very fine. The painting is infused with an enchanting liveliness. |
【作品展示】
宋苏汉臣重午戏婴图轴
