【作品基本信息】
| 作者 | 崔白 |
| 品名 | 芦花羲爱图轴 |
| 朝代 | 北宋 |
| 文件大小 | 18.05MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1926×3124 |
| 尺寸（CM） | 16.3×26.44 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
宋崔白芦花羲爱 轴 Reeds and Goose |
| 分类 | 绘画 |
| 作者 | 崔白 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 141.2×86.3 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 秋景 | |
| 主要主题 | 翎毛 | 鹅 | |
| 其他主题 | 花草 | 芦苇 | |
| 其他主题 | 花草 |
技法
| 【技法】 | 【技法细目】 |
| 工笔 | |
| 皴法 | |
| 双钩 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 故宫书画录（卷五），第三册，页58-59 |
| 收藏着录 | 故宫书画图录，第一册，页253-254 |
| 内容简介（中文） | 崔白(公元十一世纪)，安徽濠梁人，字子西，工画花竹翎毛，以画枯荷凫雁得名，但也精于道释、人物、鬼神。据说他作画不起稿，画长弦挺刃，不用直尺界笔。宋神宗熙宁初(约公元1068年)受命与艾宣、丁贶、葛守昌等人画垂拱殿屏风，颇受赞赏，补为图画院艺学。此图绘芦岸间，一鹅昂首独立。芦叶经霜，残绿犹存。鹅身描绘精细，羽毛纤毫毕显，极为写实。本幅旧传为崔白所作。 |
| 内容简介（英文） | Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts–remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction. |
【作品展示】
宋崔白芦花羲爱轴
