【图片信息】
图名 | 阿玛拉瓦蒂照片007-阿马拉瓦蒂(第47号 |
原名 | [Photo.34/(007)] Amaravati (No. 47) |
分类 | 阿玛拉瓦蒂照片 |
文件大小(tif) | 6.48MB |
图片像素 | 1289×1676 |
图片DPI | 600×600 |
图片尺寸(CM) | 5.45×7.09 |
下载方式 | 百度网盘链接 |
图片格式 | TIF+JPG |
来源 | 英国及爱尔兰皇家亚洲学会 |
【详情介绍】
Excavated sculpture panel showing Buddha images and stupas. See also print 8. The reference number allocated to the piece refers to Robert Sewell’s ‘Report on the Amaravati Tope, and Excavations on its site in 1877’ (London, 1880) in which the piece is described.
‘While completing the examination of these sculptures [No. 46 and other pieces] my workmen were clearing the platform of earth, and we found several loose stones, 47 to 52 inclusive, lying on it. ‘No. 47 (3 ft. 4 in. long by 9 in. high.) Piece of a small cornice having alternate Buddhas (with nimbus) seated on lotus thrones, and dagobas wreathed with many umbrellas. ‘No. 48 is a fragment, similar, but of larger dimensions, the designs being separated into distinct panels by vertical lines (3 ft. 10 in. by 10 in. high). It is less elaborately sculptured. It has a small inscription in small letters apparently of a later date than those on many others. ‘These pieces of cornice seem new. The only specimen like them I can find amongst the marbles now in England is to be seen in F., XCVI.1, under the principal figure group. But even that is only similar in style. Both these new specimens have been photographed.’
Robert Sewell
‘Report on the Amaravati Tope, and excavations on its site in 1877’ (London, 1880, pp. 47-48)
Faded print. Original negative not held. Part of a collection of twenty albumen prints mounted on card, with captions written in ink beneath the prints and all signed ‘R. Sewell’.
【中文介绍】
挖掘出的雕刻面板,展示佛像和佛塔。另见打印件8。分配给这件作品的参考号是指罗伯特·塞维尔(Robert Sewell)的《1877年阿马拉瓦蒂巨石及其遗址发掘报告》(伦敦,1880年),其中描述了这件作品在完成对这些雕塑(46号和其他作品)的检查时,我的工人正在清理平台上的泥土,我们发现上面有几块松散的石头,47到52块。47(3英尺4英寸长,9英寸高。)一块小檐口,上面有坐在莲花宝座上的交替佛像(带灵气),还有戴着许多雨伞的舍利48号是一个类似的碎片,但尺寸更大,这些设计被垂直线(3英尺10英寸乘10英寸高)分成不同的面板。它的雕刻不那么精致。它有一个用小写字母写的小铭文,显然比其他许多铭文的日期晚。”这些檐口看起来很新。在英国的大理石中,我能找到的唯一像它们这样的标本是在F.,XCVI.1中,在主要人物组下看到的。但即便如此,也只是风格相似。这两个新标本都被拍了下来。”罗伯特·塞维尔的《阿马拉瓦蒂上衣及其1877年遗址发掘报告》(伦敦,1880年,第47-48页)印刷褪色。原始底片未保存。卡片上挂着二十张蛋白印刷品的一部分,印刷品下方用墨水写着标题,所有签名都是“R”。塞维尔。