【作品基本信息】
| 作者 | 郎世宁 |
| 品名 | 万寿长春图轴 |
| 朝代 | 清代 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1700×3538 |
| 尺寸（CM） | 14.39×29.95 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
清郎世宁万寿长春 轴 Myriad Longevities in an Everlasting Spring |
| 分类 | 绘画 |
| 作者 | 郎世宁;Lang Shining;Giuseppe Castiglione |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 117.4×56.3 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 郎世宁 | 本幅 | 臣郎世宁恭画 | 楷书 | |
|
印记： 臣郎世宁 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 乾隆御览之宝 |
| 鉴藏宝玺 | 乾隆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 其他主题 | 山水 | 奇石 | |
| 主要主题 | 花草 | 牡丹 | |
| 次要主题 | 花草 | 菊 | |
| 次要主题 | 花草 | 灵芝 | |
| 其他主题 | 花草 | 草 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 双钩 | |
| 皴法 | |
| 苔点 | |
| 工笔 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 故宫书画录（卷八），第四册，页183 |
| 收藏着录 | 故宫书画图录，第十四册，页93-94 |
| 内容简介（中文） |
郎世宁(公元一六八八-一七六六年) ，原名 Giuseppe Castiglione，意大利米兰人。十九岁时入天主教耶稣会为助理会士，曾习油画，兼及建筑设计，二十七岁来华传教。在宫廷中的绘画活动，历经康熙、雍正、乾隆二朝，传授宫廷画家西方油画和透视等绘画技巧，创出迎合中国皇帝中西画法融合的新院体画形式。其画作题材较广泛，善画人物肖像、花鸟、走兽、山水。 画面绘月季花、石竹、蓝菊盛开，灵芝傍石而生，红花绿叶生意盎然，象征健康长寿。「万寿」为臣民对皇帝、皇后生日的敬辞。此图使用中国笔墨、绢、颜色，彩线兼施，花卉具有立体感，画法富有西洋风味，但在山石上多参酌中国传统用线勾皴的笔法。画上款署「臣郎世宁恭画」，下有「臣郎世宁」一印。 |
| 内容简介（英文） |
Lang Shih-ning was the Chinese name used by Giuseppe Castiglione, a native of Milan, Italy. At the age of 19, he entered the Jesuit order as a novitiate, and his early training also included painting and architectural planning. He was later sent to China, where he arrived in 1715. His skills as an artist thereupon came to the attention of the court and he served under three emperors (Yung-cheng, K’ang-hsi, and Ch’ien-lung) as a painter. He combined his previous art training with his studies of Chinese painting to create a hybrid technique that fused the essence of both traditions and that had an influence on court style at the time. He excelled at painting figures, birds-and-flowers, animals, and landscapes. This painting depicts the monthly rose, rock-and-bamboo, and chrysanthemums in full bloom along with spirit fungus. The blossoming red flowers, spirit fungus, and the overall greenery symbolize prosperity and long life. The expression for long life in Chinese (wan-shou), as evident in the title of this work, was used by officials as a congratulatory wish for emperors and empresses on their birthdays. This work incorporates the materials and techniques of Chinese painting, such as traditional line and texturing manners, but the flowers have a realistic appearance that reveals Western methods of painting. The seal and signature of Castiglione on this work include the character for “Your servitor,” revealing that he did it for the court. |
| 内容简介（中文） |
郎世宁（公元一六八八－一七六六年），意大利米兰人。十九岁时，入天主教耶稣会为传教士。曾习油画，兼习建筑。二十七岁来华传教，以绘事供奉内廷。历仕康熙、雍正、乾隆三朝。画法参酌中西，善画人物、花鸟，尤擅犬马。 「万寿」为臣民对皇帝、皇后生日的敬辞。此图繁卉盛开，灵芝傍石而生，红花绿叶，生意盎然，象征健康长寿。 |
| 内容简介（英文） |
Lang Shih-ning is the Chinese name used by the Italian, Giuseppe Castiglione. At the age of 19, he entered the Jesuit order as a novitiate, and his early training included painting and architecture. He was then sent to China and he arrived in 1715. His artistic skills came to the attention of the court and he served under three emperors as a painter. He combined his previous art training with his studies of Chinese painting to create a hybrid technique that fused the essence of both traditions. The expression for long life (wan-shou) was used by officials as a congratulatory wish for the emperor and empress on their birthdays. The blooming flowers, spirit fungus, and overall greenery symbolize a prosperous and long life. |
| 参考书目 | 1.韩北新，〈郎世宁绘画系年(六)〉，《故宫文物月刊》，第72期（1989年3月），页51-52。 |
| 参考书目 | 陈韵如，〈清郎世宁万寿长春 轴〉，收入何传馨主编《神笔丹青-郎世宁来华三百年特展》（台北：国立故宫博物院，2015.10），页34-35、407。 |
【作品展示】
清郎世宁万寿长春轴
