【作品基本信息】
| 作者 | 陈洪绶 |
| 品名 | 荷花图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1575×3818 |
| 尺寸（CM） | 13.33×32.32 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
明陈洪绶画荷花 轴 Lotuses and Rock |
| 分类 | 绘画 |
| 作者 | 陈洪绶 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 75.8×39 |
| 诗塘 | 33.6×39 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
| 诗塘 | 纸 |
僧悔、勿迟
陈洪绶印、章侯
印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 乾隆御览之宝 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 嘉庆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
| 鉴藏宝玺 | 宝笈三编 |
| 鉴藏宝玺 | 宣统御览之宝 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 奇石 | |
| 主要主题 | 花草 | 莲荷 | 荷 |
| 次要主题 | 水中动植物 | 荇藻 | |
| 主要主题 | 建筑 | 池水 |
技法
| 【技法】 | 【技法细目】 |
| 双钩 | |
| 皴法 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（御书房），第七册，页3144 |
| 收藏着录 | 故宫书画录（卷五），第三册，页483-484 |
| 收藏着录 | 故宫书画图录，第九册，页105-106 |
| 参考书目 |
1.〈明陈洪绶画荷花〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页484。 2.〈明陈洪绶画荷花 轴〉，收入谭怡令、刘芳如、林莉娜主编《满庭芳-历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页38-39。 |
| 内容简介（中文） | 陈洪绶（公元一五九八－一六五二年），浙江诸暨人。字章侯，号老莲，甲申后自号老莲，又号悔迟、弗迟、云门僧、九品莲台主者。画法遒逸，善山水，尤工人物。二荷二叶自石后出，白描画荷花，细如游丝，婉转挺秀。红色淡着瓣尖，雅净莹洁。水草用汁绿点染，一片碧波，新叶随波漂浮。款：迟老画于静香居为顺之道盟兄寿。成画时间应为丙戌（一六四六年）仲夏之时，年四十九岁。 |
| 内容简介（英文） |
Ch’en Hung-shou, a native of Chekiang, was known for his unique style of painting landscapes, figures, and birds-and-flowers. Two lotus blossoms and two broad leaves are semi-concealed by a large decorative garden rock. The blossoms were done in delicate outlines resembling delicate threads of silk. Washes of red pigment were added to the tips of the petals, creating for pure and elegant blossoms. Dabs of light green wash were also used to suggest the water plants below and give color to the new leaves resting on the surface of the water. The content of the artist’s inscription, signature, and seal suggest that the work was done in the summer of 1646, when Ch’en Hung-shou was 48. |
| 内容简介（中文） |
陈洪绶（1598-1652），字章侯，号老莲。浙江诸暨人。崇祯年间供奉内廷，明亡后出家为僧，自称悔迟、弗迟、云门僧。善山水，尤工人物。 太湖石矗立于池水之中，属夏季花卉的几株荷花傲然挺立，水上布满点点浮萍。画荷线条钩勒细劲有力，荷叶俯仰卷翻，正侧面内部笔痕留白，技法细腻，湖石则采干湿水墨烘染凹凸向背。奇石嶙峋坚劲质感与花叶娉婷舒展之态，一刚一柔，带有装饰趣味。据其题跋成画于丙戌（1646），年四十九岁。(20110102) |
| 内容简介（英文） |
Chen Hongshou, a native of Zhuji in Zhejiang, went by the style name Zhanghou and the sobriquet Laolian. He served the court during the Chongzhen era (1628-1644), but after the fall of the Ming in 1644 he became a Buddhist monk, taking the names Huichi, Fuchi, and Yunmeng seng. He excelled at painting landscapes and especially figures. A Lake Tai garden rock stands prominently in a pond with several upright stalks of summer lotuses behind it, the surface of the water covered with water plants as well. The lines delineating the lotuses are fine yet forceful, the leaves twisting and turning with traces of “flying white” broken brushwork inside. The technique is very refined, the lake rock also done using washes of light and dark ink to suggest contraposed areas of light and shade. The craggy and rugged quality of this unusual rock and the graceful unfolding of lotus leaves and blossoms have a contrasting hard and soft quality, giving a decorative quality to the painting as well. According to the inscription, this work was done in 1646 at the Chinese age of 49.(20110102) |
【作品展示】
明陈洪绶画荷花轴
