【作品基本信息】
| 作者 | 蒲华 |
| 品名 | 墨竹六屏图轴 |
| 朝代 | 清代 |
| 文件大小 | 108.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1322×4542 |
| 尺寸（CM） | 11.19×38.45 |
| 作品数量 | 6 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清蒲华墨竹六屏 轴 |
| 分类 | 绘画 |
| 作者 | 蒲华 |
| 数量 | 六轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 174×47.8 |
| 全幅 | 231.6×59.6 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 蔡辰男先生捐赠书画目录，页61-65、125-126 |
| 内容简介（中文） |
蒲华（公元一八三○－一九一一年），秀水（今浙江嘉兴）人，侨寓上海。字作英，一署胥山外史，原名成，字竹英。草书自谓效吕洞宾、白玉蟾，笔意奔放。早岁画花卉，在徐渭、陈淳间。晚乃画竹，心醉文同。山水树石，亦淋漓元气，盖取法石涛、石溪而加以变化。 水墨画墨竹六屏，各有风、雨、霜、晴之姿。以浓淡墨为叶，笔势飞舞，奇趣横生，飘洒绝尘。款字以草书写成，笔法潇洒，一如其画。 本幅为蔡辰男先生捐赠。 |
| 内容简介（英文） |
P’u Hua (style names Tso-ying and Chu-ying; also known as Hsu-shan wai-shih) was a native of Hsiu-shui (modern Chia-hsing, Chekiang), but he spent most of his life in Shanghai. P’u said that his cursive script imitated that of LuTung-ping (fl. 860-873) and Pai Yu-ch’an (fl. 1208-1224) and is expressive and unrestrained. In his early years he painted flower and plant works whose style lay somewhere between that of Hsu Wei (1521-1593) and that of Ch’en Ch’un (1483-1544). Later his bamboo paintings emulated Wen T’ung (1018-1079). His landscapes, trees, and rocks possessed an extremely wet manner: they are executed in the styles of Shih Tao (1642-1707) and Shih Hsi (1612-1673) with P’u’s own variations. These six screens of ink bamboo are portrayed amidst wind, rain or snow with varying degrees of dense and light ink. The forceful brushwork imbues the leaves with a sense of fluttering quickly as if dancing in the wind and also carries an odd flavor. The inscriptions have been written in a casually elegant cursive script similar to P’u’s painting. These paintings were donated to the Museum by Mr. Ts’ai Ch’en-nan. |
| 参考书目 | 1.刘芳如，〈清蒲华墨竹六屏〉，收入刘芳如主编，《十九世纪末期中西画风的感通之二－－国立故宫博物院所藏同时期名家作品展》（台北：国立故宫博物院，1993年初版），页56-57。 |
【作品展示】
清蒲华墨竹六屏轴之一清蒲华墨竹六屏轴之一
清蒲华墨竹六屏轴之三清蒲华墨竹六屏轴之三
清蒲华墨竹六屏轴之二清蒲华墨竹六屏轴之二
清蒲华墨竹六屏轴之五清蒲华墨竹六屏轴之五
清蒲华墨竹六屏轴之六清蒲华墨竹六屏轴之六
清蒲华墨竹六屏轴之四清蒲华墨竹六屏轴之四
