【作品基本信息】
作者 | 陈继儒 |
品名 | 明人翰墨册-陈继儒书词 |
朝代 | 明朝 |
文件大小 | 18.0MB |
分辨率(DPI) | 300×300 |
像素大小 | 2829×2121 |
尺寸(CM) | 23.95×17.95 |
作品数量 | 1 |
作品收藏 | 台北故宫博物院 |
基本数据
藏品类型 | 书法 |
品名 |
明人翰墨 册 陈继儒书词 Poem |
分类 | 法书 |
作者 | 陈继儒 |
书体 | 草书 |
数量 | 一幅 |
作品语文 | 汉文 |
释文 | 风雨萧萧。墙头蟋蜶檐头马。可怜秋也一束芙容把。小立栏干。醉以黄衫卸。还聊且花捎帘帖。帘动鹦哥打。陈继儒。 |
典藏尺寸
【位置】 | 【尺寸】(公分) |
本幅 | 40.3×26.4 |
质地
【质地位置】 | 【质地】 |
本幅 | 纸 |
参考数据
【类别】 | 【参考数据】 |
收藏着录 | 石渠宝笈初编(重华宫),下册,页717-719 |
收藏着录 | 故宫书画录(卷三),第一册,页411-413 |
收藏着录 | 故宫历代法书全集,第二十八册,页76-117、170-177 |
内容简介(中文) | 陈继儒(公元一五五八-一六三九年),江苏华亭人,字仲醇,一字眉公,号糜公。天赋多智,少有高才,诗文书画皆所善长,与同郡董其昌齐名。画擅水墨梅、竹,山水亦气韵空远。董其昌尝评之:「虽草草泼墨,而一种苍老之气,岂落吴下画师恬俗魔境。」眉公亦自言:「若着色相尚,便与富翁俗僧无异。」 |
内容简介(英文) | Ch’en Chi-ju (style names Chung-ch’un and Mei-kung; sobriquet Mo-kung) was a native of Hua-t’ing, Kiangsu. A gifted scholar of many talents, Ch’en excelled at poetry, writing, calligraphy, and painting, becoming as famous as his contemporary Tung Ch’i-ch’ang. Ch’en specialized in painting plum blossoms and bamboo in monochrome ink. His landscapes also were expansive in feeling. Tung Ch’i-ch’ang once commented that “although he [Ch’en] seemingly splashed ink to impart hoary and archaic energy [to his paintings], how can he be considered inferior to Wu [School] painters and in the realm of empty commonality?” Ch’en Chi-ju himself also once wrote, “If I likewise were to apply colors [to my paintings], they would be no different from those of rich men and common monks [i.e., everybody else].” |