【作品基本信息】
| 作者 | 沈荃 |
| 品名 | 仿颜真卿告身帖图轴 |
| 朝代 | 清代 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1598×3765 |
| 尺寸（CM） | 13.52×31.87 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 |
清沈荃仿颜真卿告身帖 轴 Imitating Yen Chen-Ch’ing’s Appointment |
| 分类 | 法书 |
| 作者 | 沈荃;Shen Quan |
| 书体 | 楷书 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 勑。国储为天下之本。师导乃元良之教。将以本固。必由教先。非求忠贤。何以审谕。光禄大夫行吏部尚书充礼仪使上柱国鲁郡开国公颜真卿。立德践行。当四科之首。懿文硕学。为百氏之宗。忠谠罄于臣节。贞规存乎士范。述职中外。服劳社稷。仿颜真卿告身帖。臣沈荃。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 133.1×55.8 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（御书房），下册，页1097 |
| 内容简介（中文） |
沈荃（公元一六二四－一六八四年），江苏华亭（今上海市）人，字贞蕤，号绎堂，别号充斋，顺治进士，官至礼部侍郎，工诗善书，学行醇洁。 沈荃书法初学董其昌，晚岁得力于米芾甚深。他曾于圣祖朝奉召入宫，与皇帝谈论古今书法。他的书风充份反映出「康雍之世，专仿香光」的现象，此幅仿颜字便深受董其昌影响，虽然前人批评他学董而乏其气韵，但楷书功力，仍有可观处。 |
| 内容简介（英文） |
Shen Ch’uan was a native of Hua-t’ing (modern Shanghai). A chin-shih degree holder, he went on to serve in the Ministry of Rites. He was a lofty scholar gifted at poetry and excelling at calligraphy. Shen’s style initially followed Tung Ch’i-ch’ang’s, but in later years was greatly influenced by Mi Fu’s. Much admired for his calligraphy, Shen was even ordered to the palace to discuss calligraphy with the emperor. His style reflects the tendency of the time to imitate older manners. This work imitates the Yen Chen-ch’ing style but also is strongly influenced by that of Tung Ch’i-ch’ang. Although criticized for capturing the appearance but not the spirit of Tung’s style, Shen’s achievements in standard script are still quite impressive. |
| 内容简介（中文） | 沈荃（公元一六二四－一六八四年），江苏华亭（上海）人，字贞蕤，号绎堂，别号充斋，顺治进士，官至礼部侍郎，工诗善书，学行醇洁。沈荃书法初学董其昌，晚岁得力于米芾甚深。他曾于圣祖朝奉召入宫，与皇帝谈论古今书法。他的书风充份反映出「康雍之世，专仿香光」的现象，此幅仿颜字便深受董其昌影响，虽然前人批评他学董而乏其气韵，但楷书功力，仍有可观处。(20120104) |
| 内容简介（英文） | Shen Quan (style name Zhenrui, sobriquets Yitang, Chongzhai), a native of Huating in Jiangsu (modern Shanghai), became a Presented Scholar in 1652 and served up to Attendant Gentleman in the Ministry of Rites. A lofty scholar gifted at poetry and excelling at calligraphy, Shen’s style initially followed Dong Qichang’s but in later years was greatly influenced by Mi Fu’s. Much admired in calligraphy, Shen even went to the palace to discuss calligraphy with the Kangxi Emperor. His style reflects the trend then of imitating Dong Qichang. This work follows Yan Zhenqing’s style but also is much influenced by Dong’s. Though criticized for capturing the form but not the spirit of Dong’s style, Shen’s standard script is still quite impressive.(20120104) |
【作品展示】
清沈荃仿颜真卿告身帖轴
