【作品基本信息】
| 作者 | 马远 |
| 品名 | 山水人物图-唐宋元明集绘册 |
| 朝代 | 南宋 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2122×2834 |
| 尺寸（CM） | 17.96×23.99 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
唐宋元明集绘 册 宋马远山水人物 Figures and Landscape |
| 分类 | 绘画 |
| 作者 | 马远 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 31×26.8 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 马远 | 本幅 | 马远 | 楷书 | |
| 题签 | 楷书 | 宋马远 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 其他主题 | 山水 | ||
| 次要主题 | 人物 | 高士（士人、隐士） | 高士 |
| 其他主题 | 人物 | 侍从（侍女、童仆） | 童仆 |
| 其他主题 | 树木 | 竹 | |
| 次要主题 | 花草 | 梅（白．红．蜡梅） | 白梅 |
| 其他主题 | 建筑 | 栏杆 | |
| 其他主题 | 器用 | 瓶 | |
| 其他主题 | 器用 | 文房用具 | 笔、纸、砚、水盂 |
| 其他主题 | 器用 | 家具（屏风） | 兽皮座垫 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 皴法 | 斧劈皴 |
| 人物衣纹描法(匀称线条) |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 故宫书画录（卷八），第四册，页160 |
| 内容简介（中文） |
马远，字钦山，兴祖孙，世荣子，逵弟，宋光、宁朝（公元1189─1224年）画院待诏。画山水、人物、花禽，种种臻妙，虽得自家传，然能自树一帜，与夏珪齐名，时称马夏。以远构图多偏一隅，故人又称马一角。 本幅山石用大斧劈，树用拖枝，远处以淡墨渲染，空蒙迷茫，充满空气感。一老者弯腰弓背，全神贯注阅读经卷，童子持卷侍立。通幅用笔精简，人物衣纹线条转折有力。 |
| 内容简介（英文） |
Ma Yuan (style name Ch’in-shan) was the grandson of Ma Hsing-tsu, son of Ma Shih-jung, and younger brother of Ma K’uei—all of whom were gifted painters. Ma Yuan himself was a Painter-in-Attendance at the courts of emperors Kuang-tsung and Ning-tsung (1189-1224). He was a marvelous painter of all genres, including landscapes, figures, and birds and flowers. Although he inherited his family tradition of painting, he was able to establish his own style. He and his contemporary Hsia Kuei were later collectively known as “Ma-Hsia.” Because Ma Yuan often used one-corner landscape compositions, he was also later known as “One-corner Ma.” The boulders depicted in this painting have been modeled with large “axe-cut” texture strokes, the trees depicted with “dragged” branches, and the areas of the distance brushed in with washes of ink to fill the vast distance with an airy feeling. An old man bends over arching his back as he focuses all his attention on studying a sutra scroll as a boy servant stands holding a scroll. The entire painting has been done in fine and simple brushwork, and the lines of the figures and the clothing are also certainly typical of a Ma Yuan work. |
| 收藏着录 | 故宫书画图录，第二十八册，页190-197 |
【作品展示】
唐宋元明集绘册_宋马远山水人物
