【作品基本信息】
| 作者 | 溥儒（溥心畬） |
| 品名 | 早春如意卷 |
| 朝代 | 近现代 |
| 文件大小 | 21.86MB |
| 分辨率（DPI） | 72×72 |
| 像素大小 | 3755×1939 |
| 尺寸（CM） | 132.46×68.4 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
民国溥儒早春如意 卷 Wishes for An Early Spring |
| 分类 | 绘画 |
| 作者 | 溥儒 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 28.5×60.8 |
| 全幅 | 36×78 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 溥儒 | 本幅 | 早春如意。长报平安。心畬。 | 行草书 | |
|
印记： 溥儒、省心斋 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 梅（白．红．蜡梅） | 红梅 |
| 主要主题 | 树木 | 竹 | 竹枝 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 参考书目 | 1.刘芳如，〈民国溥儒早春如意〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页103。 |
| 内容简介（中文） | 溥儒（公元一八九六－六三年），河北宛平（今北平市）人。字心畬，别署西山逸士。清宗室恭亲王之后，幼即究心艺事，诗词、书法秀逸出尘。 本幅设色绘折枝红梅青竹，布局思巧简练，设色秀逸出尘。竹枝翻偃俯仰由左侧折转而出，而红梅自然伸展，根倚相偎。画面构图恰如上方题诗所示：「早春如意，长报平安。」其诗文一语双关之意，充份显示中国诗文书画相辅相成之密切关系。 |
| 内容简介（英文） | P’u Ju (style name Hsin-yu; sobriquet His-shan I-shih) was a native of Wan-p’ing. Hopeh (modern Peiping). A scion of the Ch’ing imperial family and descendent of Prince Kung (1832-1898), he began to study art. Calligraphy, and poetry as a youth and achieved an elegant untrammeledness in all of them. This painting in colors is of a branch of red plum blossoms and green bamboo. The composition is ingeniously simpleand refined. The coloration is elegant and unsullied. The stalks of bamboo turn up and down as they twist and extend from the left side. The plum branch stretches out naturally as they both support and complement each other. The composition of the painting corresponds to the content of the inscribed poem in the upper part of the painting: “Wishes for an early spring; Peace and everlasting rewards.” More than one meaning is implied in this poem, thus fully expressing the inseparable bond between the complementary Chinese arts of poetry, calligraphy, and painting. |
| 内容简介（中文） |
溥儒（1886－1963），河北宛平（北京）人。字心畬，别署西山逸士。清宗室恭亲王之后，幼即究心艺事，诗词、书法秀逸出尘。 本幅设色绘折枝红梅青竹，布局思巧简练，设色秀逸出尘。竹枝翻偃俯仰由左侧折转而出，而红梅自然伸展，根倚相偎。画面构图恰如上方题诗所示：「早春如意，长报平安。」其诗文一语双关之意，充份显示中国诗文书画相辅相成之密切关系。 刘德丰先生捐赠于民国70年。(20110204) |
| 内容简介（英文） |
P’u Ju (style name Hsin-yu, alternate name Hsi-shan i-shih) was a native of Wanping in Hebei (Beijing). A scion of the Qing dynasty imperial family and descendant of Prince Gong, since youth he delved into the arts, his poetry and calligraphy being particularly elegant and refined. This work depicts a branch of red plum blossoms and a stalk of green bamboo. The composition is ingeniously simple yet refined, the coloring also elegant and unsullied. The bamboo stalk turns up and down as it twists and extends from the left side, intertwined with the plum branch stretching out naturally as they complement each other. Using a play on words, the composition of the painting corresponds to the contents of the inscribed poem in the upper right part of the painting: “Wishes for an early spring; Peace and everlasting rewards.” More than one meaning can be implied by this poem, thus fully expressing the inextricable bond between the complementary Chinese arts of poetry, calligraphy, and painting (the “Three Perfections”). Mr. Liu Te-feng donated this work to the National Palace Museum in 1981.(20110204) |
| 收藏着录 | 溥心畬先生书画特展目录，页88 |
【作品展示】
民国溥儒早春如意卷
