【作品基本信息】
| 作者 | 梁楷 |
| 品名 | 山阴书箑图-名画荟萃册 |
| 朝代 | 南宋 |
| 文件大小 | 18.01MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2832×2120 |
| 尺寸（CM） | 23.97×17.94 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
名画荟萃 册 宋梁楷山阴书箑图 Writing Calligraphy on a Fan in Shanyin |
| 分类 | 绘画 |
| 作者 | 梁楷 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 31.3×58.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 梁楷 | 本幅 | 梁楷 | 行书 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 人物 | 圣贤 | 王羲之 |
| 次要主题 | 人物 | 百姓 | |
| 其他主题 | 器用 | 文房用具 | 笔、砚 |
| 其他主题 | 器用 | 扇 | |
| 其他主题 | 树木 | 杨柳 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 人物衣纹描法(粗细线条) |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（重华宫），下册，页735-736 |
| 收藏着录 | 故宫书画录（卷六），第四册，页199-200 |
| 收藏着录 | 故宫书画图录，第二十九册，页214-219 |
| 内容简介（中文） | 梁楷，山东东平人。他是南宋宁宗嘉泰年间（一二○一—一二○四）的画院待诏，最擅长画人物，因为笔墨疏放、形象简洁，而被形容为「减笔」。 本幅描绘老妇人手拿纸扇，正在向书圣王羲之（三二一—三七九年）乞求题字，身后还有一名侍从，捧着砚台侍候。画中每个人物均表情生动，衣纹线条潇洒流畅，虽然不见得是梁楷亲笔所作，却能充分掌握住写意人物的简率趣味。 |
| 内容简介（英文） | Liang K’ai served as a Painter-in-Attendance in the Chia-t’ai era (1201-1204) at the court of Emperor Ning-tsung. Liang K’ai specialized in figure painting. Due to his reduction of the brushwork for a spirited effect, his style has been described as “abbreviated brushwork”. The subject of this work is an anecdote about China’s Sage Calligrapher Wang Hsi-chih (321-379). He is shown helping an old lady sell her fan by inscribing it with his famous calligraphy. Behind is an attendant holding an inkstone. The expressions of the figures are lively and the drapery is done with fluid brushwork. Although not necessarily a work by Liang K’ai, the artist here was still able to capture the essence of the abbreviated “sketching ideas” style of brushwork. |
| 内容简介（英文） | Liang K’ai, a native of Tung-p’ing, Shantung, was a Southern Sung Painter-in-Attendance in the Painting Academy in the Chia-t’ai era (1201-1204) of Emperor Ning-tsung. He did figures in brushwork that was reduced but still transmitted the spirit, in painting history being praised as “abbreviated brushwork”. This work has a signature of Liang K’ai, the features of which are similar to those of other surviving Liang K’ai works, but it is still uncertain whether it was added by a later hand or not. As a work is passed down through the years, it often undergoes many transformations. A signature may be removed or the signature of a famous artist added to an unsigned work, thereby removing evidence of or obscuring the original artist. |
【作品展示】
名画荟萃册宋梁楷山阴书箑图
