阿玛拉瓦蒂照片002-阿马拉瓦蒂（第18号（[Photo.34/(002)] Amaravati (No. 18)）高清TIF大图片下载

【图片信息】

【详情介绍】

Photograph of excavated fragment sculpture panel showing horseman and attendant figures. The reference number allocated to the piece refers to Robert Sewell’s ‘Report on the Amaravati Tope, and Excavations on its site in 1877’ (London, 1880) in which the piece is described.

‘Not far from this pillar, but on the inner edge of the circular mound, and near the squared floor-stones formerly mentioned as having been found near the point E. in my plan, I found another slab partly exposed. This I completely unearthed and afterwards had photographed. No. 18. (2 ft. 6 in. square). A portion of the oter rail coping. One side has the roll-ornament, with its supporting figure; the emblem resting above the fold of the roll being in this instance the dagoba. On the inner side is a fragment of sculpture. On the left is seen a palace balcony, in which sits a chief and his wife, attended. Below, as if in a courtyard, an elephant is apparently bending in salute of his master. From the castle gates there rides a prince on horseback, with two footmen and an elephant and horsemen in attendance. The prince is riding up to a gateway of the Sanchi type (which General Cunningham calls a ‘toran’ gate), but his way is barred by a person who holds up a warning hand to him. Just in the gate stands a man with an umbrella, but whether this sign of loyalty is to be referred to the horseman, or the man who bars his progress, does not clearly appear. Inside the gate is a building of some kind (the marble breaks off here), at the doorway of which three persons are worshipping. The horseman would not appear to be Siddharta, as there is no glory round his head or other distinguishing mark.’

Robert Sewell
‘Report on the Amaravati Tope, and excavations on its site in 1877’ (London, 1880, p. 37)

Original negative not held. Part of a collection of twenty albumen prints mounted on card, with captions written in ink beneath the prints and all signed ‘R. Sewell’.

【中文介绍】

挖掘出的碎片雕塑面板照片，显示了骑手和随从人物。分配给这件作品的参考号是指罗伯特·塞维尔（Robert Sewell）的《1877年阿马拉瓦蒂巨石及其遗址发掘报告》（伦敦，1880年），其中描述了这件作品离这根柱子不远，但在圆形土堆的内边缘，在我的平面图中E点附近发现的方形地板石附近，我发现了另一块部分暴露的板。这是我完全发掘出来的，后来拍了下来。18号。（2英尺6平方英寸）。轨道顶部的一部分。一侧有卷饰，有支撑图；在这种情况下，放在卷轴褶皱上方的徽章是达戈巴。里面是一块雕塑碎片。左边是一个宫殿阳台，里面坐着一位酋长和他的妻子。下面，就好像在院子里，一头大象显然在向主人致敬。从城堡大门出来，有一位王子骑马，还有两名步兵、一头大象和骑兵。王子正骑着马走向桑奇式的大门（坎宁安将军称之为“托兰”门），但一个向他举起警告手的人挡住了他的去路。就在门口站着一个拿着伞的人，但这种忠诚的标志是指骑手，还是指阻碍他前进的人，并不清楚。大门内有一座某种建筑（大理石在这里断裂），门口有三个人在朝拜。骑士看起来不像是悉达多，因为他的头上没有荣耀或其他区别标志。“罗伯特·塞维尔”关于阿马拉瓦蒂圆顶的报告，以及1877年对其遗址的发掘”（伦敦，1880年，第37页）原始底片未被持有。卡片上挂着二十张蛋白印刷品的一部分，印刷品下方用墨水写着标题，所有签名都是“R”。塞维尔。

【图片预览】

【JPG清晰版】Photo.34-002

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