【作品基本信息】
| 作者 | 柯九思 |
| 品名 | 晚香高节图轴 |
| 朝代 | 元朝 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 1909×3143 |
| 尺寸（CM） | 16.16×26.61 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 |
元柯九思晚香高节 轴 Bamboo and Chrysanthemums |
| 分类 | 绘画 |
| 作者 | 柯九思 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 126.3×75.2 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 柯九思 | 本幅 | 五云阁吏为正臣作 | 行书 | |
|
印记： 柯氏敬仲、敬仲画印、缊真斋、训忠之家、缊真之斋图书之府吾存其中游戏今古松窗棐几万钟为轻聊寓意于物适有涯之生、柯九思(墨印) |
|||||
| 题跋 | 虞集 | 本幅 | 奎章阁侍书学士虞集题 | 隶书 | 敬仲此幅。清楚出尘。真平日合作也。奎章阁侍书学士虞集题。 |
|
印记： 雍虞集、虞伯生父 |
|||||
| 题跋 | 清高宗 | 本幅 | 庚寅（公元一七七０年）秋日御题 | 行书 | 绿筠挺出苏卿节。黄菊喷来陶令香。何必其间论世代。忘年交合石渠蔵。庚寅（公元一七七０年）秋日御题。 |
|
印记： 干、隆 |
|||||
印记资料
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 乾隆御览之宝 |
| 鉴藏宝玺 | 乾隆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
| 鉴藏宝玺 | 养心殿鉴藏宝 |
| 鉴藏宝玺 | 石渠继鉴 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 宣统御览之宝 |
| 收传印记 | 四益之斋图书之府不出户庭尚友千古 |
| 收传印记 | 永存珍秘 |
| 收传印记 | 得秀 |
| 收传印记 | 高昌正臣图书 |
| 收传印记 | 棠村审定 |
| 收传印记 | 蕉林 |
| 鉴藏宝玺 | 八征耄念之宝 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 奇石 | |
| 主要主题 | 树木 | 竹 | |
| 次要主题 | 花草 | 菊 | |
| 次要主题 | 花草 | 荆枝 | |
| 其他主题 | 树木 |
技法
| 【技法】 | 【技法细目】 |
| 写意 | |
| 皴法 | 披麻皴 |
| 苔点 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈初编（养心殿），上册，页643 |
| 收藏着录 | 故宫书画录（卷五），第三册，页178-179 |
| 收藏着录 | 故宫书画图录，第五册，页33-34 |
| 内容简介（中文） |
柯九思（1290-1343），浙江台州人。字敬仲，号丹丘生。元文宗置奎章阁，特授学士院鉴书博士，博学能诗文，工书，并善墨竹，亦善山水。 此幅为正臣所作，正臣，高昌人，与柯九思为友 富收藏，有东坡墨竹图，敬仲尝为作跋。柯敬仲墨竹，醉心于东坡，家藏苏竹一幅，至临之数百遍。本幅一竹独峙，用笔枯劲，衬以菊花坡石，明简而朴质。 |
| 内容简介（英文） |
K’o Chiu-ssu was a native of T’ai-chou, Chekiang. His style name was Ching-chung and his sobriquet Tan-ch’iu Sheng. He was well-versed in both poetry and prose, and served as keeper of the Khans’ Imperial collection of painting and calligraphy. He excelled in calligraphy and the rendering of ink bamboo as well as landscapes. This work was painted for Cheng-ch’en, who was of Kao-ch’ang stock from the Turfan area. He was a good friend of K’o Chiu-ssu and had a rich collection of paintings including an ink-bamboo by Su Tung-p’o for which K’o wrote a colophon. K’o was infatuated with the bamboo paintings of Su Tung-p’o and made several hundred copies of an example which he himself owned. This work shows one bamboo plant, painted with powerful strokes of dry ink. It is set off by chrysanthemums growing from a bank and the composition has clarity and integrity. |
| 参考书目 | 1.庄申，〈对于元代柯九思墨梅图的若干考察〉，《故宫季刊》，第三卷第三期（1969年一月)，25-31。 |
| 内容简介（中文） | 柯九思（1290-1343），浙江台州人。字敬仲，号丹丘生。元文宗置奎章阁，特授学士院鉴书博士，博学能诗文，工书，并善墨竹，亦善山水。 此幅为正臣所作，正臣，高昌人，与柯九思为友 富收藏，有东坡墨竹图，敬仲尝为作跋。柯敬仲墨竹，醉心于东坡，家藏苏竹一幅，至临之数百遍。本幅一竹独峙，用笔枯劲，衬以菊花坡石，明简而朴质。 |
| 内容简介（英文） | K’o Chiu-ssu was a native of T’ai-chou, Chekiang. His style name was Ching-chung and his sobriquet Tan-ch’iu Sheng. He was well-versed in both poetry and prose, and served as keeper of the Khans’ Imperial collection of painting and calligraphy. He excelled in calligraphy and the rendering of ink bamboo as well as landscapes. This work was painted for Cheng-ch’en, who was of Kao-ch’ang stock from the Turfan area. He was a good friend of K’o Chiu-ssu and had a rich collection of paintings including an ink-bamboo by Su Tung-p’o for which K’o wrote a colophon. K’o was infatuated with the bamboo paintings of Su Tung-p’o and made several hundred copies of an example which he himself owned. This work shows one bamboo plant, painted with powerful strokes of dry ink. It is set off by chrysanthemums growing from a bank and the composition has clarity and integrity. |
【作品展示】
元柯九思晚香高节轴
