【作品基本信息】
| 作者 | 陈字 |
| 品名 | 文房集锦册-戏婴图 |
| 朝代 | 清代 |
| 文件大小 | 18.04MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 3211×1873 |
| 尺寸（CM） | 27.18×15.85 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清陈字文房集锦 册 戏婴图 |
| 分类 | 绘画 |
| 作者 | 陈字 |
| 数量 | 一幅 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 26.5×30.4 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 人物 | 孩童 | |
| 其他主题 | 佛道人物 | 钟馗 | 牵丝傀儡 |
| 其他主题 | 器用 | 扇 | |
| 其他主题 | 器用 | 地毯 |
技法
| 【技法】 | 【技法细目】 |
| 工笔 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（延春阁），第五册，页2143 |
| 收藏着录 | 故宫书画录（卷六），第四册，页102-103 |
| 内容简介（中文） |
大头娃娃模样怪， 长长眼睛粗粗眉， 青色头皮耳朵大。 盘起腿来戏傀儡， 小小傀儡造型俏， 摇头摆尾蹦蹦跳。 陈字（一六三四年至？），陈洪绶子，书画绰有父风。画婴儿盘坐毡上，左手持弄悬丝钟馗。钟馗手足飞舞，滑稽可爱，婴儿造型硕额大耳，画来颇有乃父夸张变形手法。 |
| 内容简介（英文） |
Child Playing with a Puppet Ch’en Tzu (1634-?) Ch’ing Dynasty Ch’en Tzu was the son of the famous painter Ch’en Hung-shou (15998-1652), and their styles of art were similar. Aloof and proud by nature, Ch’enTzu did not associate with many people. This is the 4th leaf from the album Precious Objects from the Scholar’s Studio. A small boy sits on a rug holding a stick from which is suspended a dancing Chung K’uei puppet. In the Sung dynasty (960-1279), street performers assumed the role of Chung K’uei in New Year dances. Thus, the spiritual function of chasing demons (associated with Chung K’uei) gradually became a theme for entertaining children as well. The exaggerated features of the child concentrating on play here also reveal the influence of Ch’en Hung-shou. |
| 内容简介（中文） |
陈字（公元一六三四－一七一三后），浙江诸暨人。初名儒祯，小名鹿头，字无名，又字名儒，号小莲。乃陈洪绶（一五九八－一六五二）子。书画绰有父风，性傲不谐于俗，唯与许酿川相善，故作品多归许氏庋藏。 本幅选自「文房集锦」册第四开，画一稚龄童子手操提线傀儡为戏，而傀儡作钟馗形象。宋代，有以真人装扮成钟馗，在年终岁除之际，沿街跳舞逐鬼，名为「跳钟馗」。至若「婴戏傀儡」中的钟馗傀儡，虽沿承自跳钟馗的习俗，实已脱离宗教功能，纯属儿童的游艺项目了。 |
| 内容简介（英文） |
Child Playing with a Puppet Ch’en Tzu (1634-after 1713) Ch’ing Dynasty Ch’en Tzu (original name Ju-chen, nickname Lu-t’ou, style names Wu-ming and Ming-ju, and sobriquet Hsiao-lien) was the son of the famous painter Ch’en Hung-shou (1598-1652). Their styles of painting and calligraphy appear very similar. Aloof and proud by nature, Ch’en Tzu did not associate with many people. Since Ch’en got along with Hsu Ch’uan-hsiang, many of his works found their way into Hsu’s collection. This is the fourth leaf from the album “Precious Objects from the Scholar’s Studio.” Depicted herein is a small boy holding a stick from which is suspended on string a puppet in the form of Chung K’uei. As far back as the Sung dynasty (960-1279), street performers had assumed the costume and role of Chung K’uei, dancing and chasing demons in New Year performances known as “Dancing Chung K’uei.” The idea of Chung K’uei as a puppet in this theme known as “Children Playing with Puppets” appears related to this tradition. Thus, the religious function associated with Chung K’uei appears gradually to have become a theme also for entertaining children. |
| 参考书目 | 1.刘芳如，〈清陈字婴戏钟馗〉，收入国立故宫博物院编辑委员会编，《迎岁集福 — 院藏钟馗名画特展》（台北：国立故宫博物院，1997年二月初版一刷），页154-156。 |
| 收藏着录 | 故宫书画图录，第二十四册，页158 |
【作品展示】
清陈字文房集锦-册-戏婴图
