【作品基本信息】
作者 | 陈书 |
品名 | 写生册 |
朝代 | 清代 |
文件大小 | 180.01MB |
分辨率(DPI) | 300×300 |
像素大小 | 2829×2121 |
尺寸(CM) | 23.95×17.95 |
作品数量 | 10 |
作品收藏 | 台北故宫博物院 |
基本数据
藏品类型 | 绘画 |
品名 | 清陈书写生 册 |
分类 | 绘画 |
作者 | 陈书 |
数量 | 一册:十开(本幅十开十幅) |
典藏尺寸
【位置】 | 【尺寸】(公分) |
本幅 | 21.8×33 |
质地
【质地位置】 | 【质地】 |
本幅 | 纸 |
题跋数据
【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
作者款识 | 陈书 | 本幅十 | 康熙癸巳(公元一七一三年)九月陈氏钱书制。 | 行书 | |
印记: 陈氏、钱书、品十斋居口中 |
印记资料
【印记类别】 | 【印记】 |
鉴藏宝玺 | 乾隆御览之宝 |
鉴藏宝玺 | 乾隆鉴赏 |
鉴藏宝玺 | 石渠宝笈 |
鉴藏宝玺 | 三希堂精鉴玺 |
鉴藏宝玺 | 宜子孙 |
鉴藏宝玺 | 石渠定鉴 |
鉴藏宝玺 | 宝笈重编 |
鉴藏宝玺 | 干清宫鉴藏宝 |
鉴藏宝玺 | 嘉庆御览之宝 |
鉴藏宝玺 | 宣统御览之宝 |
参考数据
【类别】 | 【参考数据】 |
收藏着录 | 故宫书画录(卷六),第三册,页158 |
收藏着录 | 故宫书画图录,第二十四册,页230-233 |
收藏着录 | 石渠宝笈续编(干清宫),第二册,页599 |
内容简介(中文) |
陈书(一六六0-一七三六年),字南楼,号上元弟子,晚号南楼老人。浙江嘉兴人。适嘉兴钱纶光,以长子陈群显贵,受诰封为太淑人。善画花鸟草虫,兼及山水人物,为清初著名的女画家。 本册页共十开,绘桃竹、八哥、葡萄、鸢尾、麻雀、腊梅、天竺、茄、柿等。全册以水墨为主,用色为辅,二者相得益彰。用笔疏放,点染随意,但物之形貌姿态毕具,风神高古。 |
内容简介(英文) |
Album of Sketches Ch’en Shu (1660-1736) Ch’ing dynasty Ch’en Shu’s style name was Nan-lou; her sobriquets were Shang-yuan ti-tzu and later Nan-lou lao-jen. She was a native of Chia-hsing, Chekiang. She married Ch’ien Lun-kuang of Chia-hsing, and her elder son Ch’ien Ch’en-Ch’un served as a high official. Because of his high position, she was given the title t’ai shu-jen. She was good at painting birds and flowers, insects and grasses, as well as landscapes and figures. She is a well-known early Ch’ing woman artist. This album contains ten leaves. Among them are depictions of subjects such as bamboo, mynah, grapes, kite, sparrow, winter prunus, dahlia, eggplant, persimmon, and so forth. In each leaf, the use of monochrome is predominant and color is slightly applied, so that they set off each against the other to advantage. The brushwork is relaxed; the dots and washes are unrestrained. The forms and attitudes of the flora and fauna are true to life. The poise and bearing of every creature are lofty and antique. |