【作品基本信息】
| 作者 | 倪元璐 |
| 品名 | 山石图轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.0MB |
| 分辨率（DPI） | 300×300 |
| 像素大小 | 2121×2830 |
| 尺寸（CM） | 17.95×23.96 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明倪元璐山石图 轴 |
| 分类 | 绘画 |
| 作者 | 倪元璐 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 44.7×43.8 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绫 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 倪元璐 | 本幅 | 元璐 | 行书 | |
|
印记： 倪元璐印、鸿宝 |
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印记资料
| 【印记类别】 | 【印记】 |
| 收传印记 | 真赏 |
| 收传印记 | 澹台静农所藏 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | 奇石 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 台静农先生遗赠书画展览，页74、127 |
| 内容简介（中文） |
倪元璐（公元一五九三－一六四四年），字汝玉，号鸿宝，又号园客，浙江上虞人。天启二年进士，官户礼部尚书。倪氏性情直行不阿，为世所重，崇祯十七年（一六四四），倪氏感叹身为大臣，而国事至此，遂自缢而绝。倪氏诗文超逸，擅行草、小楷，兼工松石、墨卉。本幅随意纵笔，墨色亦因所用绢，为经胶矾不吸水性，使浓淡更加分明。所谓水墨生晕，极苍润古雅之意。画中小石，如文房案头使用笔架山，雅致令人几欲伸手玩索。 本件为台静农先生遗赠。 |
| 内容简介（英文） |
Rocks Ni Yuan-lu (1593-1644) Ming Dynasty Ni Yuan-lu (style name Ju-yu and sobriquets Hung-pao and Yuan-k’o) was a native of Shang-yu, Chekiang. After receiving his chin-shih civil service degree in 1622, he went on to serve as Minister of Rites. In 1644, however, the Ming dynasty fell to the invading Manchus and Ni committed suicide rather than serve the new rulers. Ni’s poetry and writing was known for its extraordinary qualities; he was also a gifted calligrapher in running and small regular scripts as well as a painter of rocks-and-pines and flowers. This work is done in a free and easy manner. Because the silk medium was treated with alum, it did not absorb the ink very well. The result is that the contrast between light and dark areas of ink is quite strong. This so-called “halo” effect to the ink gives the work an ancient and elegant feel. The small rocks in this work are similar to those used in the scholar’s studio as a brush stand. In fact, it is almost as if we are able to reach out and pick them up. This painting was donated to the National Palace Museum by Mr. T’ai Ching-nung. |
【作品展示】
明倪元璐山石图轴明倪元璐山石图轴
